Sunday, November 23, 2014

SABC's Hlaudi Motsoeneng suspends SABC's chief technology officer, Sipho Masingo, following scathing report about shocking state of SABC infrastructure.

The SABC's famously matricless and controversial chief operating officer (COO) Hlaudi Motsoeneng has suspended its chief technology officer Sipho Masingo - 10 months after the SABC suspended the previous person in the position, Gelfand Kausiyo, who was the acting chief technology officer at the South African public broadcaster.

Hlaudi Motsoeneng suspended Sipho Masingo following a damning report from Sipho Masingo about the SABC's technology infrastructure, stating that the SABC's technology and infrastructure is in such a dilapidated state and in such an aging state and disrepair that "broadcasting disruptions can now happen at any time, any place" at the SABC.

According to a shocking new internal SABC report from Sipho Masingo, the public broadcaster's aging emergency power generators are incapable of providing enough electricity for the SABC to maintain broadcasting of its signals during a power failure - a place supposedly designated a "national keypoint" in South Africa.

According to the report, it will cost the SABC at least R2 billion in infrastructure and technology investment to bring the beleaguered South African public broadcaster's technology and aging infrastructure up to date.

The SABC apparently blames Sipho Masingo for the blackout of the SABC's broadcasting signals.

Sipho Masingo's shocking report about the SABC's technology infrastructure follows the complete blackouts experienced in October when the SABC's three TV channels and radio stations unexpectedly went dark and were cut off.

On 3, 4 and 5 October this year - and shockingly again on 19 October this year - the SABC's TV and radio signals completely disappeared.

The October blackouts of the SABC signals are the "second" time this year following a blackout in April this year due to equipment failure as well as back-up equipment failure.of MultiChoice's head-end equipment at the SABC's Auckland Park headquarters.

In multiple media enquiries made the past two months over the cause of the SABC blackouts by TV with Thinus, the SABC refused to say why it happened.

According to Rapport newspaper the blackouts occurred due to the power failures and the complete failure of emergency power generators at the SABC which didn't kick in and which wasn't working.

The problem is being worsened, according to Sipho Masingo's report and compounded by outdated and aging infrastructure and technology which is being used at the SABC which should have been replaced "years ago".

Sipho Masingo's scathing report states that "years and years of mismanagement" at the SABC is "responsible for the blackouts of SABC signals and that the "SABC's aging infrastructure is not being maintained in any of the nine provinces".

According to Sipho Masingo, the SABC has entirely failed the past 16 years to invest in the maintenance and improvement of existing infrastructure.

According to Sipho Masingo the public broadcaster is apparently not ready for the switch from analogue to digital broadcasting - something which requires an investment of millions of rand in infrastructure and technology.

According to Sipho Masingo's report "the situation is being worsened through the appointment of unqualified people which places a moratorium on the maintenance of existing infrastructure and investment in new technology".

Sipho Masingo also notes the shocking state of disrepair of the lifts at the SABC in his report, that "several of the SABC's buildings in the nine provinces are unsafe and falling apart", and that "most broadcast studios are totally outdated and shouldn't actually be used for broadcasting anymore".

Saturday, November 22, 2014

Parliament makes a second call for the immediate suspension of the lying SABC chairperson Ellen Zandile Tshabalala.

Parliament's portfolio committee on communications - the parliamentary committee responsible for oversight of the SABC - has now asked for a second time for the immediate suspension of the SABC's lying chairperson Ellen Zandile Tshabalala who was exposed for faking tertiary qualifications on her CV she doesn't have.

The lying Ellen Zandile Tshabalala tried to stall a parliamentary inquiry from proceeding by obstructing it with what proved to be futile court action after she was exposed for claiming to have tertiary qualifications which UNISA says she doesn't have, for management course the university says she failed to complete.

The Western Cape High Court rejected Ellen Zandile Tshabalala's shameful court bid to halt the parliamentary inquiry.

Ellen Zandile Tshabalala has so far flat out refused and has been unable and unwilling to answer the very simply question of why she claimed to have to certain qualifications she doesn't have, and why she isn't proving certificates and proof of the qualifications she stated on her CV last year.

She said she had a BComm degree from UNISA and a diploma in labour relations. UNISA says she dropped out and never completed any of it

Parliament's portfolio committee on communications has now again written a memorandum to the speaker of the national assembly for a second time, asking for the immediate suspension of Ellen Zandile Tshabalala who was permanently appointed to the position at the beleaguered SABC a year ago.

"This follows a second unanimous agreement among committee members that Ellen Zandile Tshabalala be suspended pending the outcome of the parliamentary inquiry on 3 December," says Gavin Davis, the Democratic Alliance MP in a statement.

"The committee believes that Ellen Zandile Tshabalala's suspension is crucial given the various delaying tactics she has employed to stall the inquiry. What should have been a quick process has been dragged out for far too long. Already, there are indications that Ellen Zandile Tshabalala's legal team is pushing for another postponement."

Gavin Davis says Ellen Zandile Tshabalala "cannot possibly focus on the mammoth task of turning the SABC around with such serious charges hanging over her" and that she "may be tempted to use the power of her office to assist her in her legal battle".

"We saw last week that she delegated the authority of CEO to Hlaudi Motsoeneng [the SABC's famously matricless and controversial chief operating officer] despite a court ruling that he must be suspended and disciplined."

"Giving an equally compromised ally power over the budget and administration of the SABC can only assist her, to the detriment of the SABC."

"We are vindicated. What it means for us is that we can proceed with our work," says Joyce Moloi-Moropa, the chairperson of parliament's portfolio committee on communications.

Ad agency Joe Public SA moves inappropriate Lovers Plus condom TV commercials on SABC to later timeslots and out of family viewing.

The ad agency Joe Public SA has agreed to move inappropriate Lovers Plus condom TV adverts shown in South Africa on the SABC to later timeslots outside of family viewing following a complaint to the Advertising Standards Autority of South Africa (ASA).

Joe Public SA agreed that the Lovers Plus TV commercials for the cheap condom range which have been shown on SABC3 will be moved to later and other timeslots outside of family viewing.

It follows a complaint by Clint White that the condom adverts which SABC3 showed during the morning and afternoon was inappropriate to show during family viewing timeslots.

Clint White told the ASA in his complaint that his 6 year old children saw the condom commercials during what is supposed to be family viewing.

It led to uncomfortable questions, following the Lovers Plus commercial in which a couple is seen in their underwear on a table, has a condom fall out, and is then seen jumping in under a blanket.

"The respondent has confirmed that it agrees with the SABC's approach to only flight this commercial in programming that is not likely to reach a young audience, and that it would ensure that this approach is followed going forward," says the ASA.

"The ASA is satisfied that the undertaking to ensure that the commercial is henceforth only scheduled during appropriate, mature programming is an adequate resolution to the matter."

Friday, November 21, 2014

BREAKING. The Queen Latifah Show on and M-Net Series Zone cancelled after two seasons.

The Queen Latifah Show, seen in South Africa on and M-Net Series Zone (DStv 115) which are both broadcasting the current second season, just got cancelled - abruptly.

The syndicated American daytime show produced by Sony Pictures Television and not even yet in the middle of its second season will shut down production at the end of December. Staff were told on Friday.

It's was Queen Latifah's second attempt at a TV talk show.

Although ratings were bad and cancellation feared, nobody expected The Queen Latifah Show to cease so suddenly. New episodes will continue to be shown until the end of March 2015 but will all be recorded before the talk show shuts down just before Christmas.

It creates an immediate hole 4 months from now for the M-Net Series Zone and schedules with programmers at and M-Net who will have to do some unexpected work in finding a replacement show.

At's spring programming preview last week the South African broadcaster played a specially recorded message from Queen Latifah for the South African media and TV critics

"We want to thank Queen Latifah, the producers and the entire staff of The Queen Latifah Show for creating a program that we are all very proud of," says Sony Pictures Television said in a statement.

"The most important thing in life is that you wake up every single day and take chances. No matter what the outcome…believe in yourself and continue to fly," says Queen Latifah.

Wednesday, November 19, 2014

Telkom, MultiChoice in exclusive 6 month broadband deal; customers getting a DStv Explora free when signing a 24 month broadband contract.

From this Sunday 23 November consumers acquiring a new broadband contract from Telkom for 24 months will get one of MultiChoice's DStv Explora decoders for free in an exclusive arrangement between the South African telecom operator and the satellite pay-TV platform.

New Telkom broadband customers who sign a 24 month contract for a 10Mbit/s or faster ADSL service, or existing Telkom broadband customers who upgrade to a 10Mbit/s line, will get a DStv Explora free.

MultiChoice just launched its DStv connected services, enabling the linking of its DStv Explora to the internet.

Through it DStv Premium subscribers are able to set remote recordings from their computers, tablets and smartphones for their decoder, while the expanded DStv Catch Up plus gives subscribers access to more on demand content downloaded through the internet.

A new app, DStv NOW will be released in December.

MultiChoice said last week that it would be making an announcement this week in which it will "take another step to making these services more accessible" for DStv subscribers through the use of these new broadband connected services, but has not yet done so.

"Telkom and MultiChoice have entered into an exclusive 6 month promotion that entails Telkom internet broadband being bundled with the new IP-connected DStv Explora decoder," says Telkom.

"Customers will benefit from faster, high-speed Telkom broadband and more fixed-line data. Furthermore, the free DStv Explora and WiFi connector will allow customers access to the enhanced DStv Catch Up catalogue and additional functionality."

Telkom meanwhile is planning to roll out its own video-on-demand (VOD) service.

SABC cuts Afrikaans; reduces the Afrikaans in environmental magazine show 50/50 which must now be 80% English after move to SABC3.

The SABC has ordered Afrikaans to be further cut down in the environmental magazine show 50/50 from what it used to be; the programme must now be broadcast 80% in English according to orders from the South African public broadcaster.

The SABC returned 50/50 for a new season to the public broadcaster but moved it from its longtime home on SABC2 to SABC3 and also significantly reduced the traditional amount of Afrikaans heard in the show.

Production company Clive Morris Productions that produces 50/50 for the SABC has significantly cut the Afrikaans in the magazine show on SABC orders.

50/50 also moved from SABC2 to SABC3 which has the smallest broadcasting footprint of all the SABC's three terrestrial TV channels - meaning that the least number of TV viewers who want to watch the SABC or a SABC TV channel can actually keep watching it.

Three decades ago when 50/50 started on the erstwhile TV1 of the SABC, the entire programme was in Afrikaans which over the years steadily eroded - first to half, and now to a very small percentage.

In response to media enquiry the SABC tells TV with Thinus that "the move from SABC2 to SABC3 has been informed by both the TV business unit strategy and SABC3's new channel proposition".

"It is important to note that 50/50 is first and foremost an environmental programme," says the SABC. "The language split has been revised to English 80% and 20% Afrikaans."

"The increase in the English language deliver forms part of the fundamental plan to make the programme more accessible, more inclusive and to attract a broader spectrum of South African audiences," says the SABC.

The broadcaster didn't explain how moving 50/50 to a smaller TV channel with a much smaller reception and reducing the language a large part of the traditional core audience watched it in on the broadcaster is making it more accessible

In the whole of the Northern Cape for instance there is only one transmitter broadcasting SABC3, which means only people living in and around Alexander Bay can now watch 50/50 if they wanted to.

"50/50 has been on-air for many years and this is part of the evolution process for the programme," says the SABC.

"We also shy away from our content being identified by our audiences only by language, but rather the actual programme and the message it carries to the viewer," says the SABC. "50/50 has undergone a revamp aligned to the channel and the TV network business strategy with South African viewers in mind."

Earlier the year the SABC also ordered the traditionally Afrikaans soap 7de Laan on SABC2 to undergo changes which will also result in a reduction of the percentage of Afrikaans heard on the show in 2015 as well as significant on-screen changes.

The SABC also moved the Afrikaans TV news bulletin, Nuus om 7 - the broadcaster's sole Afrikaans terrestrial TV news bulletin - in mid-July from SABC2 to SABC3.

The SABC initially claimed and told viewers in promos that it's only temporary, while the SABC told the press and advertisers that the move will be permanent.

After announcing that the Nuus om 7 will move permanently to SABC3 at a programming upfront and in a video presentation and documents handed to the press, the SABC denied it and said the move is temporary, only to suddenly be informing viewers on the air that it is indeed moving permanently.

The move was planned as a permanent move and since the beginning of the year already.

Then suddenly, after saying that the SABC "listened to viewers" the Nuus om 7 moving back earlier this month to SABC2 and its old timeslot.

Zandile Nkonyeni, SABC TV head publicist, told Netwerk24 that SABC3 has changed its "channel proposition". "It's also not so much lead by language, but is lead by a group of people with similar mindsets" she said.

"Every programme that you find, whatever genre, on SABC3 it will not be language skewed. It will not be to a specific people who speak a certain language but it will be for a South African that can tune in and will understand what is being spoken about on that language," said Zandile Nkonyeni.

Zandile Nkonyeni said "Afrikaans as a language is still very much existent within the SABC".

Human Rights Commission orders M-Net's Carte Blanche to apologise to Lotz family after showing dead daughter's body on TV.

For the second time in months M-Net's Sunday night investigative magazine show Carte Blanche has been ordered to apologise for something it showed.

The Human Rights Commission (HRC) has ordered the Combined Artistic Productions show to apologise within 6 weeks to the family of the murdered Inge Lotz after Carte Blanche broadcast images of her dead body on 18 September 2008 in the insert "Forensics Investigated".

The Lotz parents complained at the HRC that Carte Blanche producers didn't inform them ahead of time that their dead daughter's body would be shown on M-Net across South African TV screens and that M-Net and Carte Blanche also didn't have permission to use photos of their dead daughter's remains.

The Lotz parents say the images of their dead girl on Carte Blanche caused them emotional trauma and anxiety.

The Broadcasting Complaints Commission of South Africa (BCCSA) assisted in the case before the Human Right Commission which has now ruled that Carte Blanche has to implement steps to ensure that all future cases of a similar nature are handled with "maximum respect" according to clause 28.4 of the Broadcasting Code.

M-Net has to give the HRC a written confirmation of the steps that has been taken and implemented within 6 weeks.

The HRC found that although Carte Blanche's broadcast of the dead body of Inge Lotz was in the public interest, that Carte Blanche could have done more and could have informed the Lotz family ahead of time about the intent to broadcast the visuals.

The HRC found that even though permission wasn't required, that it was at least necessary to inform the family members to lessen the traumatic impact of suddenly and unexpectedly seeing their dead daughter's body on television.

EXCLUSIVE. M-Net grabs The Last Ship with Eric Dane; excellent new drama series set to start on M-Net on 2 January at 20:30.

Your're reading it here first. 

M-Net has grabbed the broadcasting rights for the cool new drama series The Last Ship and plans to start broadcasting it from Friday 2 January at 20:30.

While pay-TV broadcasters like StarSat, OpenView HD, and others complain that M-Net and MultiChoice has exclusive broadcasting rights agreements and "such" all-encompassing exclusive content licensing agreements that they can't get anything, there's several high-quality TV shows and other TV content nobody secures the rights of for South Africa.

Several of these TV shows go unseen in South Africa with local viewers who are waiting on any local broadcasters to pick up new shows like The Strain, Crossbones, Black Sails, Cedar Cove and When Calls the Heart for instance.

Any could have grabbed The Last Ship. They just didn't. For months.

And now M-Net has picked it up, meaning that DStv subscribers will be able to watch this engrossing new series in high definition (and most probably on DStv Catch Up).

As late as July this year TV with Thinus checked and lamented how no South African broadcaster has ye bothered to grap The Last Ship, a new drama series with Grey's Anatomy's "McSteamy" Eric Dane - a TV show which was anyone's for the taking if they're willing to pay for it.

M-Net is now planning to use The Last Ship - during an excellent time of the year when people want big, escapism television - to fill the gap between the third season of Arrow going on hiatus in the United States.

The 10 week gap before Arrow resumes on M-Net on 13 March 2015 will be used to play out the 10 episodes of The Last Ship which is based on William Brinkley's book.

Even more unintentionally great is how even more relevant and perfect The Last Ship - filmed before the year's big news events - will resonate and feel real to viewers.

Before Russia's renewed pan-continental and territorial aggression, before the outbreak of the dreaded Ebola in West Africa soon spreading to America and Europa and through several African nations, The Last Ship filmed and started broadcasting its episodes.

Now The Last Ship will feel very real to viewers with the series following the post-apocalyptic story of Commander Tom Chandler of the USS Nathan James whose ship and crew is pursued by Russians in a world where 80% of the population has died from a fast-spreading, super deadly disease.

While Dr Rachel Scott (Rhona Mitra) tries to find a cure in a makeshift laboratory on board the ship, the crew is locked in a deadly quest for survival, water, supplies, food, fuel - and to race to various locations across the globe searching for whatever can aid Dr Scott in her work.

The show has already been renewed for a second season.

Josh Gloak the winner of the first season of SABC3's Win a Home competition and Steyn City apartment; Donald Nxumalo wins as best designer.

Josh Gloak (23) is the winner of Win a Home on SABC3 after picking the right safe to open in the reality competition show from Tswelopele Productions which was spin-out into its own TV show this year following the successful insert it was on Top Billing.

Josh Gloak from Morningside chose the charcoal safe after 12 weeks and won the keys to the luxury apartment at Steyn City.

"When I opened the safe, it took me a few seconds to realise what I'd actually won and what was actually in the safe."

"But when I did, it was an unreal feeling, absolutely incredible. My first home. I think that's something special."

In an interesting twist Win a Home combined an interesting reality TV aspect into the show, adding an interior design competition.

Four aspiring designers – Jason Sandows, Jonathan Avnon, Donald Nxumalo and Liza Scholtz - were paired with four established designers – Stephen Falcke, Ditau Interiors' Nthabi Taukobong, Head Interiors' Abilene Brodie, and Design Collective's Amanda Elliott - who acted act as mentors.

Each week, the aspiring designers were given a room décor challenge on a budget determined by their mentor.

At the end of each four-day décor challenge Donald Nxumalo (26) was announced as the winner, getting the opportunity to become one of Steyn City's "preferred" interior designers, as well as receiving a three-month internship with Kim Hutton of Kim H Interiors, who designed the prize apartment.

"We are very proud of this first series of Win a Home and very thankful to our sponsors for their enormous contributions and for Steyn City for hosting us, as well as to SABC3 for giving us the platform to broadcast," says Patience Stevens, executive producer.

"A huge congratulations to Josh. I'm sure he will enjoy the beautiful apartment at Steyn City and all that the lifestyle estate has to offer."

Popular pastor Andries Enslin dumps kykNET, moves to from January 2015 after kykNET demands copyright.

The popular pastor Andries Enslin from the Alberton LewenSentrum has dumped the Afrikaans TV channel kykNET (DStv 144) on MultiChoice's DStv with his Sunday broadcast Die Woord ("The Word") which will be moving to from 4 January 2015 after refusing to give in to kykNET's demands for copyright.

After three and a half years Andries Enslin is done with kykNET, saying the TV channel wanted control over the programme.

kykNET will have to change its replacement Sunday morning programme in January and has to give it a new name - Die Boodskap ("The Message") - a timeslot where  Andries Enslin was responsible for a surge in ratings on Sunday mornings.

Earlier this year kykNET courted controversy when it suddenly inserted crass TV commercials in Die Woord which instantly led to viewer outrage. In May kykNET said the TV adverts was not supposed to be flighted during the Sunday morning show and that it was a mistake.

kykNET in a statement said that its contract with Die Woord, Andries Enslin and the Alberton LewenSentrum is coming to an end at the end of December, saying the channel wants to "give bigger exposure to other congregations and pastors from across the country".

"The format of the programme will remain the same, with a weekly church service on Sundays, as well as shorter bits lengthened to 10 minutes".

Karen Meiring, M-Net director of Afrikaans channels says in the statement that Andries Enslin "will naturally be invited to form a part of this bigger spiritual channel strategy, should he be available".

Karen Meiring says that kykNET wants to give more institutions the same opportunity."There is also big plans for gospel music on kykNET Musiek (DStv 146) as well as kykNET & Kie (DStv 145)".

BREAKING. Netflix expanding to New Zealand and Australia in March 2015, is South Africa next?

The global video streaming service Netflix is expanding to New Zealand and Australia and has announced that it will become available in those southern hemisphere countries from March 2015. Is South Africa next?

Netflix started an aggressive roll-out across Europe in September, including countries like Germany and France and its major expansion to now include New Zealand and Australia from early in 2015 signals a strong likelihood that its international growth plans will eventually include South Africa as well where the launch of video-on-demand (VOD) services suddenly exploded the past two months.

Nothing is preventing Netflix from entering South Africa, except for the painstaking and often cumbersome process of acquiring broadcasting rights for individual programming; Netflix is currently licensing some of its high-buzz shows like House of Cards and Orange is the New Black to M-Net which is showing it on its TV channels on MultiChoice's DStv.

If Netflix eventually launches in South Africa, those titles will for instance not be on Netflix until such time as such a licensing agreement ends.

A Netflix South Africa offering, should it eventually launch, will start small just like a newly launched TV channel, mostly with library titles, and then grow and expand in volume over time as it adds more original and exclusive series and content.

Netflix first expanded into Canada in 2010, Latin America in 2011 and then the United Kingdom, Ireland and Scandinavia in 2012.

The video-streaming giant, like all VOD services, is however conscious of the end-user experience and South Africa still has a way to go in terms of not just broadband penetration and availability, but also streaming and download speeds while the cost of internet and broadband to consumers remain prohibitively high.

Players like Times Media's VIDI, Altech's Node, MobileTV which plans to launch its full service in February 2015, along with the French telecom operator Orange which wants to expand its new Dailymotion VOD offering, are suddenly all vying for a slice of the new VOD pie.

VIDI and Node offer mostly library content of old series and movies. Then there's Telkom which has plans to launch a VOD service and MultiChoice which is growing and enhancing its existing DStv BoxOffice and DStv Catch Up services and just launched its DStv internet connected services for its premium DStv Explora decoder.

Sadly, the bulk of South African consumers can't really sign up for and utilise these services which quickly gobble up gigas of data, and are handicapped as users of VOD services by slow speeds, high prices and words like "shaped" and "capped" from internet service providers.

In South Africa's favour however for a Netflix launch counts a large English-speaking consumer market, the most sophisticated digital content management rights environment on the African continent, a strong and fast-growing smartphone and WiFi market, a fast growing satellite TV market and a large and growing black middle class consumer market willing to pay for better TV and video content and who are disillusioned with the tepid TV offering of the beleaguered SABC.

The addition of New Zealand and Australia would bring the number of countries and territories enjoying Netflix to more than 50.

Tuesday, November 18, 2014

Idols breaks voting record, M-Net reality show to surpass 20 million votes in historic 10th season.

Idols on M-Net (DStv 101) and Mzansi Magic (DStv 161) which has already been renewed for an 11th season, has broken a voting record, with the singing reality show set to pass 20 million votes in the historic 10th season which will conclude this coming Sunday with a live finale.

By enabling more voting options, allowing voting through social media platforms and harnessing social media involvement, Idols' voting has spiked by a massive 173% compared to the previous season - one of the reasons which led to the early renewal announcement of the veteran M-Net show.

More than 19 814 684 votes were already cast in this season, making it a sure bet that the final voting tally will surpass 20 million when this week's votes are added - the last week during which viewers can vote and which usually sees an additional voting surge as fans support their choice of the final two contestants.

"Viewer response to the historic 10th season of Idols has been phenomenal, exceeding our wilfest expectations," says Victor Eckard, director of M-Net.

"Week after week we have crushed previous seasons' records and we're waiting with baited breath to see how many votes will be cast leading up to the final on 23 November."

"Traditionally, votes peak in the all-important Top 2 voting period leading up to the finale as everyone wants to make sure that their favourite scoops the Idols title," says Victor Eckard.

The 10th season Idols winner will be Bongi Silinda (24) from Nelspruit or Vincent Bones (30) from Pietermaritzburg who will be performing on Sunday from Carnival City in a live broadcast.

Voting for them closes on Friday 21 November at 22:00.

This season of Idols ditched the Tuesday elimination and results show, opting to move it into the Sunday evening show at the beginning, and also returning the Sunday programme to a live broadcast to try and lift ratings.

Nkateko Mabaso, director of M-Net's local interest channels says especially younger viewers remain enthralled by the reality format show.

"The inclusion of more voting platforms and the free WeChat voting made it much easier for fans to support their favourites."

Bridget Masinga slams Kim Kardashian on's Screentime with Nicky Greenwall; reveals the TV industry's very true open secret about the Kartrashians.

Telenality Bridget Masinga is slamming Kim Kardashian, revealing an open secret inside South Africa's TV industry about the disgusting behaviour, self-consumed narcissism and out-of-control diva-demands which makes working with the Kardashians pure hell for those working in the TV biz.

In Wednesday night's episode of the pre-recorded Screentime with Nicky Greenwall on at 21:35, Bridget Masinga will reveal the nightmare behind-the-scenes she herself and her TV crew endured at the hands of the "Kartrashians" when Kim and sister Khloe jetted to South Africa in 2010.

Kim and Khloe Kardashian's South African visit in December 2010 for a terrible Brutal Fruit launch was an unmitigated disaster and a totally unmanaged mess behind the scenes, where journalists and the media in Johannesburg and Cape Town who tried to get access, cover events or do even short interviews grinded their teeth about the demands, disgusting behaviour and aloof disinterest of the sisters.

"She was just so sour," says the former All Access presenter who in 2010 tried to interview Kim and Kloe for the M-Net magazine show.

"She was a diva extrodinaire!" says Bridget Masinga, pointing to an image of Kim Kardashian, revealing that the sister had a "camp" of minders with them who made several demands on the production team. "Crop her here", "Can I check the lighting" , "Please make sure if it's a wide shot it doesn't go below the knees because she doesn't like her knees".

Bridget Masinga says she didn't like Kim Kardashian's disinterested behaviour during the interview.

"I do think they were a little jet-lagged - but I also believe in being professional: you've committed to something, you've been briefed. She irked me completely. I un-followed her that day."

Viewers won't know it but Nicky Greenwall herself and several other TV biz insiders suffered at the hands of the sisters.

In December 2010 Nicky Greenwall herself, then still doing The Showbiz Report on, also tried to get an interview.

After being made to wait for literally hours with a camera crew at the Fugard Theatre in Cape Town where the launch took place, with no indication of what is happening or who the PR people are (in fact there were none and even Brutal Fruit abandoned the launch event where the Kardashians blatantly ordered and drank Red Bull showcased in an aluminium ice bucket) even Nicky Greenwall packed up and left.

Insiders at Top Billing on SABC3 described that magazine show's interview with the Kardashians at the time as "utter hell" and "one of the most unprofessional, difficult and traumatic shoots ever" and Janez Vermeiren who interviewed the sisters didn't know what to do when he and the Tswelopele Productions crew found it impossible to get the sisters to look up from their phones, focus and show interest and actually answer any questions.

Khloe Kardashian's disdain for the South African press was once again evident earlier this year at MTV Base's MTV Africa Music Awards in June.

She refused to do interviews with the media, yet interrupted and overshadowed the pre awards event press conference with her massive entourage and then blatantly got up and moved out of shot during the live awards show when the producers wanted to frame her in the background of Bonang Matheba who did a link introducing a next category of nominees.

Here is what Janez Vermeiren had to say about his excruciating encounter with Kim Kardashian "who shouldn't even be a celebrity":

(start watching from 5:14 to 6:15)

TV actress Yvonne van den Bergh - or dominatrix Mistress Baton - reveals her BDSM lifestyle and her love of caning and whipping naked men.

Actress Yvonne van den Bergh - or dominatrix Mistress Baton - has revealed her BDSM lifestyle and her love of caning and whipping men, coming out about her "sadistic impulses" following an obsessed stalker who tried to ruin her life.

While several journalists covering the TV industry and TV critics were aware and made aware of Yvonne van den Bergh's private life (TV with Thinus and several others included) and told about her dominatrix persona by a man, nobody reported on it.

The actress, known for roles on kykNET (DStv 144) in dramas like Vallei van Sluiers, Getroud met Rugby and Petra in the SABC2 soap 7de Laan, decided to come forward herself and is explaining on Facebook about her until now secret persona of Mistress Baton and why she loves tying up men naked and then dishing out hit after hit until the blood flows.

An obsessed European stalker recently started to harass her, finding her work numbers and email and sending photos and information to her agent, TV critics, friends, broadcasters like kykNET, sponsors and the South African Guild of Actors.

Yvonne van den Bergh was fearful of the media discovering her life as Mistress Baton and the BDSM world her husband Jacques du Preez, the former Geraas presenter on SABC2 introduced her to, and decided to come forward herself and tell people about her "BDSM journey".

"Seeing slaves being whipped in old TV series and films, was another favourite of mine throughout my childhood," she writes. "I didn't know about BDSM and that I would be able to do it to people with their consent as well as their pleasure until I was a teenager and even more well-read than I was as a child."

"I chose a profession where I work in the public eye. Those two things, motherhood and my fear of public exposure, kept me from acting on my sadistic impulses for many years."

"Imagine the prejudice a kind and loving mother, who works where thousands can watch her, might expect if it became known she loves caning and whipping men! That is the reason I waited so many years to start my BDSM journey."

"Eventually, it was my wonderful husband who decided to gently push me into it and his support helped me overcome my fear of exposure."

"Now I don't care about other people's issues and uninformed prejudice anymore. I don't fear exposure anymore. I'm not going to ignore such a big part of my life, which I enjoy so much, because the world is bigoted."

"The moment I first put cane to bum, I knew it would become a very big part of my life. I will never stop doing it," writes Yvonne van den Bergh. "I love giving intense pleasure through intense pain. I love deriving intense pleasure by inflicting intense pain."

StarSat opens 8 TV channels to lower-tiered subscribers for a 'week'; increases subsidisation of StarSat decoders and installation.

On Digital Media (ODM) and StarTimes South Africa's StarSat satellite pay-TV platform has opened and unencoded 8 TV channels for a week for StarSat Special and StarSat Smart subscribers while the Woodmead-based satellite pay-TV provider is upping its subsidisation of StarSat decoders and installation for consumers.

Until Friday StarSat subscribers get unrestricted access to FOX Movies (StarSat 110), PoP (StarSat 302), StarTimes Movies 1 (StarSat 100), StarTimes Sport 2 (StarSat 241), Qyou (StarSat 165), Trace Sport Stars (StarSat 250), Nat Geo Gold (StarSat 220) and the StarTimes Series E1 (StarSat 125) channels.

The StarSat channels were opened to subscribers on Saturday already although StarSat's PR company Burston-Marsteller Africa only managed to inform the media and press by Monday after 17:08, more than two days after the promotion started, yet still saying subscribers will have a "week" of open viewing until Friday 21 November.

A PR spokesperson didn't bother to respond to a media enquiry asking when the unencoded channels' promotion started.

StarSat is also upping its subsidisation of StarSat decoders and installation hoping to drive subscriber growth, with new subscribers who can now get a StarSat decoder and full installation for R399 until 10 January 2015.

"This open view week of the stars allows subscribers the opportunity to experience more of our channels, and we encourage them to watch some of the channels they may not normally have access to on their current StarSat package," says Ian Woodrow, the head of content at StarSat.